vanished:

Ann Hamilton - The Event of a Thread

artandsciencejournal:

Human Webs

The traditional web design is being transformed to create amazing works of art. Artists such as Janet Echelman, Megan Geckler, and Marie-Josée Laframboise take string, netting, tape and various other materials to create their site specific installations that not only transform a room or city, but how we view these materials.

For Echelman, the beginning of her work started in India, when she used fishing net to create a last minute sculpture for her exhibition. The work was a success, and it led her to use lighter materials to create large-scale works in city centers, such as Sydney and Amsterdam. One of her works, 1.26 (2010-ongoing), was created originally in Denver, Colorado, and uses data taken from the 2011 earthquake off the coast of Chile, to ‘sculpt’ her piece in order to look like the wave pattern. It is a mesmerizing display of colour and form.

The work of Megan Geckler, on the other hand, does not move as fluidly as Echelman’s, nor is it as large, but Rewritten by machine on new technology (2012-2013) is still large-scale enough to engulf the viewer into a vortex of colour. Like Echelman, Geckler’s site-specific pieces work with the rooms that they are put in, playing with the architecture.

With Marie-Josée Laframboise, her work seems to be a mixture between the rigid geometry of Geckler’s works and the natural fluidity of Echelman’s works. Her webs are site specific, but there is little rigidity. Instead her work evokes the idea of a wave, engulfing the viewer, or even a web. It is not ominous, but enchanting.

These web-works demonstrate a fresh new take on what we can do with malleable materials, and the results, are truly spectacular.

-Anna Paluch

Jeongmoon Choi creates spectacular UV light and thread installations that play with perspective.

About the work:

Jeongmoon Choi works with thread and traces this three-dimensional line directly into volume to create illusions of perspective. The thread is coloured and used to outline or redefine the architecture of the spaces the artist invests. Drawing directly into space with her hand, the artist addresses questions about our environment, as well as about aspects of lodging and the role of nature in our urban spaces.

(via staceythinx)

Claire McCluskey, It takes all sorts, 2012
Installation view from DIT Fine Art Grad Show 2012
installation made using clear and black coloured thread, anchored to the walls

Claire McCluskey, It takes all sorts, installation, thread and cuphooks, 2012.

As part of the Dublin Institute of Technology Fine Art Degree Show, 2012

Video by NOB

[ Installation de fils de coton ] [ France ] [ Mars 2009 ]
[ Installation : Sébastien Preschoux ] [ Photos : Ludovic Le Couster ]
Faig Ahmed: Embroidered Space

Faig Ahmed explores composition of a traditional Azerbaijanian carpet by disjointing its structure and placing its elements into open space. With his large-scale piece titled “thread installation”, Faig re-interpreted the traditional carpet materials of his homeland by creating a type of spatial ‘stitching’ with the yarn across the surface of a wall. Speaking about his work Faig says, “I’ve been always fond of investigating and researching every detail of anything that had interested me and sometimes this researches reached inconceivable depths mixing up with my imagination. I’m heretofore harried by a question others have left in childhood – ‘what is inside?. That’s why I’m changing habitual and visually static objects making them spatial, giving them a new depth.and this as if reveals the essence of this object – the object that was mediocre just a minute ago.”

lnop:

Ambiguous Documents by Ania Wawrzkowicz

(via p-l-a-s-t-i-c-t-r-e-e-s)

julienfoulatier:


Installation by Gabriel Dawe.

shinyslingback:

Artist Emil Lukas’ colorful gradient-laden pieces are surprisingly not detailed paintings, but beautiful works of art made with thread! The artist transforms ordinary materials such as thread and string into soft lines and fields of color. The resulting works appear as if there are delicate shadows edging the planes. The crossing threads have a glowing effect, as if a spotlight is being shone on the center of each piece. Lukas builds up threads to create more colorful pieces, while some use very little, creating stark images with thick shadows in the corners. The network of rainbow threads can be seen built up around the piece’s edges, as it heads to the back of the picture to be fastened into place.

rustybreak:

Feathered Edge | Ball-Nogues Studio
PETER CRAWLEY 


Based in the UK, illustrator Peter Crawley specializes in stitched illustrations that are created by hand piercing various stocks of paper with a pin and then stitching the paper with a needle and cotton thread. His first piece was inspired by a road trip across America and his desire to illustrate the journey. These illustrations are held in private collections all over the world, and have been featured in leading art and design publications and exhibitions.

7knotwind:

SUSIE MACMURRAY
Promenade- 
installation and in progress views 

watch video

site specific installation at Kedleston Hall, Derbyshire, 19th July -30th September 2010

105 miles of fine gold embroidery thread

Patrick Mifsud, Connect/Dissect 
Opaque  by  andbamnan