| 24th Apr 2013✧23:25175 notes
|
| 24th Apr 2013✧23:25175 notes
|
Human Webs
The traditional web design is being transformed to create amazing works of art. Artists such as Janet Echelman, Megan Geckler, and Marie-Josée Laframboise take string, netting, tape and various other materials to create their site specific installations that not only transform a room or city, but how we view these materials.
For Echelman, the beginning of her work started in India, when she used fishing net to create a last minute sculpture for her exhibition. The work was a success, and it led her to use lighter materials to create large-scale works in city centers, such as Sydney and Amsterdam. One of her works, 1.26 (2010-ongoing), was created originally in Denver, Colorado, and uses data taken from the 2011 earthquake off the coast of Chile, to ‘sculpt’ her piece in order to look like the wave pattern. It is a mesmerizing display of colour and form.
The work of Megan Geckler, on the other hand, does not move as fluidly as Echelman’s, nor is it as large, but Rewritten by machine on new technology (2012-2013) is still large-scale enough to engulf the viewer into a vortex of colour. Like Echelman, Geckler’s site-specific pieces work with the rooms that they are put in, playing with the architecture.
With Marie-Josée Laframboise, her work seems to be a mixture between the rigid geometry of Geckler’s works and the natural fluidity of Echelman’s works. Her webs are site specific, but there is little rigidity. Instead her work evokes the idea of a wave, engulfing the viewer, or even a web. It is not ominous, but enchanting.
These web-works demonstrate a fresh new take on what we can do with malleable materials, and the results, are truly spectacular.
Jeongmoon Choi creates spectacular UV light and thread installations that play with perspective.
Jeongmoon Choi works with thread and traces this three-dimensional line directly into volume to create illusions of perspective. The thread is coloured and used to outline or redefine the architecture of the spaces the artist invests. Drawing directly into space with her hand, the artist addresses questions about our environment, as well as about aspects of lodging and the role of nature in our urban spaces.
(via staceythinx)
| 16th Jan 2013✧13:172 notes
|
Claire McCluskey, It takes all sorts, installation, thread and cuphooks, 2012.
As part of the Dublin Institute of Technology Fine Art Degree Show, 2012
Video by NOB
| 28th Sep 2012✧13:302 notes
|
| 12th Sep 2012✧14:367 notes
|
| 29th Aug 2012✧19:3072 notes
|
Artist Emil Lukas’ colorful gradient-laden pieces are surprisingly not detailed paintings, but beautiful works of art made with thread! The artist transforms ordinary materials such as thread and string into soft lines and fields of color. The resulting works appear as if there are delicate shadows edging the planes. The crossing threads have a glowing effect, as if a spotlight is being shone on the center of each piece. Lukas builds up threads to create more colorful pieces, while some use very little, creating stark images with thick shadows in the corners. The network of rainbow threads can be seen built up around the piece’s edges, as it heads to the back of the picture to be fastened into place.
| 13th May 2012✧12:3545 notes
|
| 2nd Apr 2012✧12:487 notes
|
SUSIE MACMURRAY
Promenade- installation and in progress viewssite specific installation at Kedleston Hall, Derbyshire, 19th July -30th September 2010
105 miles of fine gold embroidery thread
| 19th Mar 2012✧19:432 notes
|